Mirabel Stuart is a rising talent in British cinema, celebrated for her dynamic combination of acting and stunt work. She served as Christine Palmer’s stunt double in Marvel’s ‘Doctor Strange in the Multiverse of Madness’ and has gone on to build a diverse career across film, television, and modelling. This year, she brought elegance and energy to the Cannes Film Festival, where she connected with creatives and celebrated storytelling at its finest. With exciting new roles in the upcoming films ‘The Wicker Children’ and ‘One Last Fight’, Mirabel continues to carve out a bold path in the industry.
How was your experience at the Cannes Film Festival this year?
The Cannes Film Festival has been an unforgettable experience; the energy this year was palpable. It has also been a great opportunity to engage in discussions about the future of cinema and celebrate stories that matter through filmmaking.
You did stunt work in ‘Doctor Strange in the Multiverse of Madness’—what was that experience like, and how did you prepare for it?
It was electrifying—truly a different kind of performance. I trained with a fantastic stunt team and had to be physically and mentally sharp. Playing Christine Palmer’s stunt double meant embodying her essence even in high-octane moments. It pushed me beyond my limits, and I loved every bruise and thrill!
What’s the most surreal or glamorous moment you’ve had on a modelling set?
“Modelling million-pound diamonds while standing on a rooftop in Paris at golden hour—that was pure magic.”
I remember thinking, “Is this real life?” It was a moment where the glamour, history, and artistry of fashion collided perfectly.
You’ve shot a 200-episode TV show for a Dubai-based channel. What did you learn from that long-running experience?
Stamina! And consistency. Shooting hundreds of episodes taught me how to stay creatively energised over time. It also taught me to trust my instincts and to try to take creative risks.
How do you stay grounded while working with high-profile brands and in high-pressure environments?
I surround myself with people who knew me long before any of this started—family, old friends, my dog. I also enjoy the simple things like cooking, journalling, and dancing around my flat in pyjamas. That keeps me real.
You’ve got several exciting projects lined up, including ‘The Wicker Children’ and ‘One Last Fight’. What can you share about your characters in these films?
In ‘The Wicker Children’, my character is a PC going undercover to unravel a dark rural mystery—it’s eerie, grounded, and emotionally intense.
I am excited to be filming in Malaysia later this year in ‘One Last Fight’. I play an aspiring Muay Thai boxer training under Muay Thai legend Marcus, played by Scott Adkins. Also starring Djimon Hounsou playing Tiga, a charismatic Nigerian gangster.
Being fluent in English, Spanish, and French—and skilled in accents—has clearly helped your career. Do you have a favourite accent or language to perform in?
French has such a natural elegance, it’s fun to play with nuance in that language. But I also adore regional UK accents like Scouse or Yorkshire. Accents help me step fully into someone else’s world, and that transformation is a thrill.
What’s something new you’re hoping to explore or learn in your upcoming roles?
“I want to dig deeper into action—I also crave roles that push emotional boundaries.”
I’d love to play a historical figure or a flawed heroine. Growth happens when you’re uncomfortable, so I’m chasing that edge.
What are your goals as an actress?
I would love to use storytelling as a bridge that brings people together. In a world that often feels divided, I believe stories have the power to unite us by revealing our shared humanity. I’m passionate about portraying complex, authentic female characters who break stereotypes and inspire change.
Follow Mirabel on Instagram: @mirabel.stuart
Mirabel wears Mala: @mala.stores
Photography by @tania.volobueva.photographer
Make-up: @makeupbyissam
Hair stylist: @eldridge_mullenhof